Bengali 4 Movie

Noukadubi (Bengali: নৌকাডুবি, "Boat wreck") is a Bengali film directed by Rituporno Ghosh, released on January 2011. The movie is a period film set in the 1920s, based on a novel by Rabindranath Tagore of the same name, although the credits claim that the film is ‘inspired’ by the Tagore novel because Rituparno Ghosh has taken the skeleton of the original story and woven it with his own inputs – cerebral and emotional.
The cast includes Prosenjit Chatterjee, Jisshu Sengupta, Raima Sen and Riya Sen. The art direction was by Indranil Ghosh. The film was also dubbed in Hindi and released on may 2011 under the name "Kashmakash". The film was produced by Subhash Ghai. Allegedly the Hindi version has been translated, dubbed and edited down by 30 minutes under Ghai’s own guidance, without the director’s involvement at all.
The original story by Tagore has been placed on celluloid several times including twice in Hindi – Milan (1946) directed by Nitin Bose with Dilip Kumar and Ghunghat (1960), directed by Ramanand Sagar with Bina Rai. Bengali versions came out in 1932, 1947 and 1979.

A tender romance blossoming in early Kolkata between law student Ramesh and his friend's sister Hemnalini, is nipped suddenly when his father sends an urgent and mysterious summons from his village home. There, the dutiful son is peremptorily ordered to marry Susheela, daughter of a hapless widow. Ramesh refuses, confesses that his heart belongs to another. But the widow's fervent plea softens him ultimately. And he concedes, albeit with a heavy heart. The wedding takes place with due ceremony; and Ramesh sets out with his bride on a river boat journey back to Kolkata.
Soon a fierce storm arises; the boat tosses helplessly and finally capsizes in the churning waters. Later that night, Ramesh comes to his senses on a deserted shore under a starlit sky. Some distance away, he sees the unconscious form of a young bride. Her pulse is still beating, and in response to his voice calling 'Susheela' she opens her eyes at last. There is no one else in sight, alive or dead. The two move off, take a train to Kolkata, the bride wondering why they were not going to Kashi, but trusting his judgment implicitly.
Hem, his true love, knows nothing of all this. Ramesh has been missing from the evening of her birthday party. They have learnt of his hasty departure from the city, but nothing else. Though she pines inwardly, she is confident that he will return soon.
Back in Ramesh's new home in Kolkata, the facts of mistaken identity gradually come to light. She is Kamala not Susheela. Her husband is a doctor named Nalinaksha Chatterjee. Ramesh writes an advertisement to trace his whereabouts; but he does not have the heart to break this news to the helpless trusting young girl in his care. He puts her into a boarding school instead. But soon, Hem's would be suitor Akshay comes to know of Ramesh's secret and brings proof positive to Hem. Ramesh, unable to handle such a scandal, seeks hiding in Gorakhpur with Kamala. A devastated Hem is brought to Kashi by her father to help her forget. There she meets Nalinaksha and they warm up to each other.
In the meanwhile, having read the advertisement in an old newspaper, Kamala realizes the enormity of the lie she has been living, and walks out determined to drown herself in the river. Ramesh returns and finds her suicide note, searches everywhere to no avail. He does not know that she has been rescued by a courtesan and deposited in Kashi under Nalinaksha's mother's care. Kamala now sees her real husband for the first time, but cannot speak up, for he is betrothed to Hem.
Finally, the advertisement she keeps knotted in her saree is discovered, and the whole truth comes to light. Ramesh finally traces Nalinaksha and arrives at his house.
The whole sorry mess raises many questions of head and heart and the validity or otherwise of social conventions. The viwers are left wondering whether true love will finally triumph.

Guerrilla is a Bangladeshi film based on the events of the Bangladesh Liberation War. An adaptation of the novel Nishiddho Loban by Syed Shamsul Huq, it was released on April 14, 2011.
'Nishiddho Loban', the novel, is written by the prolific Bengali writer Syed Shamsul Huq. It has been envisioned by the director of the film Nasiruddin Yousuf Bachchu. He has crafted the film GUERRILLA with his own experience as a leading fierce freedom fighter of 1971, sketching real incidents of those days. Guerrilla is a delicate, artistic rendition in moving images of the heroic deeds of the liberation war's valiant freedom fighters on an epic canvas. They were a distinguished generation, dedicated to a noble proposition that FREEDOM is Man's first and foremost right. It is not a gift.

On the ominous night of March 25, 1971, a heinous military operation, the Operation Searchlight an operation designed to kill indiscriminately the innocent democracy loving millions, was initiated by the Pakistan Army. The hated operation was just the beginning of the worst genocide to follow, a brutal crime against humanity after the Second World War. On that very night, Hasan Ahmed, a veteran journalist of the country, husband of Bilkis (Joya Ahsan), simply vanished while on his way to his newspaper office to perform his journalistic duty. He is untraceable till date. Bilkis was in banking profession. She started a desperate search for her husband and at the same time got herself engaged as a collaborator to the guerrilla operations which were gradually gaining momentum. She was not affected by her personal loss and pain, rather, undaunted; she chose the hazardous path to carry on the fight for our liberation. With the guerrilla fighters like Shahadat, Alam, Maya , Kazi Kamal, Fateh Ali and others operating in Dhaka, she started participating directly in many dangerous and successful operations. She was in constant touch with Altaf Mahmud, the legendary personality of Bengali Nation's musical arena and scorer of many revolutionary songs. She thus became the central character in the movie, also a target to the enemy. Bilkis, Shahin and many others got involved in the publication of a secret English News bulletin The GUERRILLA, obviously from the underground. Incidentally, at a particular point of time, Taslim Ali Sardar, a traditional Chieftain of the old Dhaka's subsector (Moholla), who courageously sheltered ill-fated Bilkis, got brutally killed by the Pakistani Army and their lackeys--- the hated rajakars. At one point, Altaf Mahmud, Rumi , Bodi along with some other freedom fighters were captured. Altaf and few others like him did never return, could never be traced, a tragic fact well known to us today. Bilkis, a lonely character now, could evade the worse, and tactfully leave the labyrinth- like barriers and traps set by the occupational army around Dhaka. She could get into a train to her home, Joleswari, a remote village at Rangpur. The metallic train transforms into a character, a symbolic one, a moving replica designed to depict a catastrophic journey. The parents of Bilkis were killed in the communal riots of the Bengalis and the Biharis in January '71 earlier.. She just was desperately longing to meet her own brother: Khokon at Joleawari. Khokon was then a commander of the local freedom fighters. Pakistan Army units were on the verge of collapse due to consistent fierce attacks initiated by those fighters. Khokon dynamited a vital railway bridge near Joleswari, interrupting all train movements. . She had to reach her brother. Nothing could deter her. She opted to walk. On her way, she got a young vibrant male companion, Siraj, a member of Khokon's fighting group. At one point Khokon was captured by the Pak Army. The brutal Army and Rajakar predators slaughtered him along with other captured freedom fighters. Bilkis wanted to have a glimpse of his dead brother, wanted to touch his apparently cold, inert body to feel the warmth of a loving brother, the heat of the fire inside him which no killer could extinguish. Khokon was a living, pulsating symbol of our ongoing freedom fight. She, risking her life, could enter the 'killing fields' of the occupants but was captured immediately by them. Bilkis was captured but she did never surrender to the heinous forces. For her country, for the entire freedom loving humanity, she did set up an example, a glorious one. She does not allow her body, the body of the fledgling Bangladesh, to be molested by the vultures of Pakistan. She blew herself up with explosives, destroying the surrounding mocking dogs in the process